User:Oceanflynn/sandbox/Timeline Paul Klee

Selected timeline of events related to Paul Klee

  • born 18 December 1879 born Münchenbuchsee, Switzerland father German music teacher Hans Wilhelm Klee (1849–1940) mother Swiss singer Ida Marie Klee, née Frick (1855–1921).
  • 1880 family moved to Bern
  • 1886 violin classes at the Municipal Music School,
  • 1886 - 1890, primary school
  • 1890 gifted [1]
  • 1892[File:Paul Klee 1892.jpg|thumb|right|50px|Paul Klee as schoolboy, 1892]
  • 1895 His landscape drawings showed skill.[2]
  • 1896
    My Room (German: Meine Bude), 1896. Pen and ink wash, 120 by 190 mm (4+34 by 7+12 in). In the collection of the Klee Foundation, Bern, Switzerland
  • 1897 Klee started his diary (1897-1918)
  • 1898-1901(?) studies art at Academy of Fine Arts in Munich with Heinrich Knirr and Franz von Stuck.
  • 1901-1902 Grand Tour (Rome, Florence, and Naples)[3] with Hermann Haller [4]
  • 1903-5 eleven zinc-plate etchings called Inventions, first exhibited works grotesque characters.[4][5]
  • 1903-5 11 zinc-plate etchings InventionsExhibited works, in which he illustrated several grotesque characters.[4][6]
  • "Blaue Reiter", 1911

In January 1911 Alfred Kubin[7] 1911 Klee met Wilhelm Hausenstein in 1911.[8]

1913 In the Quarry (1913) Houses near the Gravel Pit (1913)[12] color[13]

Red Balloon, 1922, oil on muslin primed with chalk, 31.8 x 31.1 cm. The Solomon R. Guggenheim Museum, New York
  • 1919 3-year contract with dealer Hans Goltz's influential gallery: exposure and commercial success
  • 1920 Retrospective c.300 works[26][27]
  • January 1921 to April 1931 Klee taught at Bauhaus[28][29]
  • 1922 Kandinsky joined Bauhaus staff Resumed friendship with Klee
  • 1922 1st Bauhaus exhibition and festival[30][31]
Tropical Gardening, 1923 watercolor and oil transfer drawing on paper, The Solomon R. Guggenheim Museum, New York.
Nocturnal Festivity, 1921, The Solomon R. Guggenheim Museum, New York.
  • 1931 to 1933 Klee taught Düsseldorf Academy (Nazi newspaper: "Then that great fellow Klee comes onto the scene, already famed as a Bauhaus teacher in Dessau. He tells everyone he's a thoroughbred Arab, but he's a typical Galician Jew."[34]
  • 1930s Klee's home searched by Gestapo Klee fired from his job.[35][36] His self-portrait Struck from the List (1933)[34]
  • 1933-4 Klee shows in London and Paris
  • 1933-4 Met Pablo Picasso[37]
  • late 1933 Klees emigrated to Switzerland[37]
  • 1932 career peaked Ad Parnassum (1932) His masterpiece.[38][39]
  • 1933 produced 500 works in Germany.[40]
  • 1933 First symptoms of scleroderma
  • 1921 Rainer Maria Rilke : Klee in 1921, "Even if you hadn’t told me he plays the violin, I would have guessed that on many occasions his drawings were transcriptions of music."[41]
  • 1933 Pamela Kort observed: "Klee's 1933 drawings present their beholder with an unparalleled opportunity to glimpse a central aspect of his aesthetics that has remained largely unappreciated: his lifelong concern with the possibilities of parody and wit. Herein lies their real significance, particularly for an audience unaware that Klee's art has political dimensions."[42]
  • 1916 and 1925 hand puppets Felix his son. not in his catalogue raisonné. at Zentrum Paul Klee, Bern.[43]
  • 1903 and 1905 in the cycle "Inventionen" (Inventions),[44]
  • June 1906 at the "Internationale Kunstausstellung des Vereins bildender Künstler Münchens 'Secession'" (International Art Exhibition of the Association for Graphic Arts, Munich, Secession), his first appearance as a painter in the public.[45]
  • 1905: scratching on a blackened glass panel with a needle: 57 Verre églomisé pictures, among those the 1905 Gartenszene (Scene on a Garden) and the 1906 Porträt des Vaters (Portrait of a Father), with which he tried to combine painting and scratching.[46]
  • 1911 Klee met and was inspired by Alfred Kubin Became associated the Blaue Reiter.[47]
  • April 1914 12 days in Tunis in April 1914[48]
  • 1917 military service, painting Trauerblumen (Velvetbells), graphical signs, vegetal, phantastic shapes forerunner future works, combining graphic, color and object Birds appear Blumenmythos (Flower Myth) from 1918 WWI Flying/falling planes
  • 1918 Einst dem Grau der Nacht enttaucht, poem incorporated letters[49]
  • 1922 Bauhaus betroffener Ort (Affected Place) (1922), Camel (in rhythmic landscape with trees) , Die Zwitscher-Maschine (The Twittering Machine), National Gallery
  • degenerate art[50]
    In Engelshut, 1931, watercolor and colored inks on paper, mounted on paper, Guggenheim Museum
    [51]
  • 1925 der Goldfisch (The Goldfish)
  • 1927 Limits of Reason
  • 1928 Katze und Vogel (Cat and Bird)
  • 1929 Hauptweg und Nebenwege (Mainway and Sideways).
  • 1931 Transferred to Düsseldorf to teach in the Akademie
  • the Nazis closed the Bauhaus.[52]
  • 1920-1932 series of guardian angels "In Engelshut" (In the Angel's Care).[53]
  • 1932 Ad Parnassum Düsseldorfer period. mosaic-like pointillism
  • 1928 to 1929 trip to Egypt: pyramids. [54] [55]
  • 1933 Klee's last year in Germany: 482 works von der Liste gestrichen[56]
  • Switzerland
  • 1936 25 works 1936 catalogue
  • 1937 264 pictures
  • 1938 to 489, hieroglyphic-like element, Insula dulcamara
  • 1939 1254 works. Musiker (musician), Revolution des Viadukts (Revolution of the Viadukt), Viadukt (1937)[57]
  • 1940 Ohne Titel, aka Der Todesengel (Angel of Death).[58]
  • Death and Fire[59] His legacy comprises about 9,000 works of art.[13][60]
  • 29 June 1940 Died in Muralto, Locarno, Switzerland.
  • July 1940 Granted Swiss citizenship posthumously.
  • In the years 1903-5 he also completed a cycle of eleven zinc-plate etchings called Inventions, his first exhibited works, in which he illustrated several grotesque characters.[4][61]

Publications

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  • Jardi, Enric (1991) Paul Klee, Rizzoli Intl Pubns, ISBN 0-8478-1343-6
  • Kagan, Andrew (1993) Paul Klee at the Guggenheim Museum (exhibition catalogue) [1] Introduction by Lisa Dennison, essay by Andrew Kagan. 208 pages. English and Spanish editions. 1993, ISBN 978-0-89207-106-7
  • Partsch, Susanna (2007). Klee (reissue) (in German). Cologne: Benedikt Taschen. ISBN 978-3-8228-6361-9.
  • Rudloff, Diether (1982). Unvollendete Schöpfung: Künstler im zwanzigsten Jahrhundert (in German). ISBN 978-3-87838-368-0.
  • Baumgartner, Michael; Klingsöhr-Leroy, Cathrin; Schneider, Katja (2010). Franz Marc, Paul Klee: Dialog in Bildern (in German) (1st ed.). Wädenswil: Nimbus Kunst und Bücher. ISBN 978-3-907142-50-9.
  • Giedion-Welcker, Carola (1967). Klee (in German). Reinbek: Rowohlt. ISBN 978-3-499-50052-7.
  • Glaesemer, Jürgen; Kersten, Wolfgang; Traffelet, Ursula (1996). Paul Klee: Leben und Werk (in German). Ostfildern: Hatje Cantz. ISBN 978-3-7757-0241-6.
  • Rümelin, Christian (2004). Paul Klee: Leben und Werk. Munich: C. H. Beck. ISBN 3-406-52190-8.

Books, essays and lectures by Paul Klee

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  • 1922 Beiträge zur bildnerischen Formlehre ('Contributions to a pictorial theory of form', part of his 1921-2 lectures at the Bauhaus)
  • 1923 Wege des Naturstudiums ('Ways of Studying Nature'), 4 pages. Published in the catalogue for the Erste Bauhaus Ausstellung (First Bauhaus Exhibition) in Summer 1923. Also published in Paul Klee Notebooks vol 1.
  • 1924 Über moderne Kunst ('On Modern Art'), lecture held at Paul Klee's exhibition at the Kunstverein in Jena on 26 January 1924
  • 1924 Pädagogisches Skizzenbuch ('Pedagogical Sketchbook')
  • 1949 Documente und Bilder aus den Jahren 1896–1930, ('Documents and images from the years 1896–1930'), Berne, Benteli
  • 1956 Graphik, ('Graphics'), Berne, Klipstein & Kornfeld
  • 1956 Schriften zur Form und Gestaltungslehre ('Writings on form and design theory') edited by Jürg Spiller (English edition: 'Paul Klee Notebooks')
    • 1956 Band I: Das bildnerische Denken., ('Volume I: the creative thinking'). 572 pages review. (English translation from German by Ralph Manheim: 'The thinking eye')
    • 1964 Band 2: Unendliche Naturgeschichte ('Volume 2: Infinite Natural History') (English translation from German by Heinz Norden: 'The Nature of Nature')
  • 1964 The Diaries of Paul Klee 1898–1918 ed. Felix Klee Berkeley, University of California
  • 1976 Schriften, Rezensionen und Aufsätze edited by Ch. Geelhaar, Köln,
  • 1960 Gedichte, poems, edited by Felix Klee
  • 1962 Some poems by Paul Klee ed Anselm Hollo. London


References

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  1. ^ Giedion-Welcker, p. 10-11
  2. ^ Kagan p. 54
  3. ^ Olga's Gallery Paul Klee
  4. ^ a b c d Cite error: The named reference Partsch, p. 11 was invoked but never defined (see the help page).
  5. ^ “Invention” Paul Klee at the Museum of Contemporary Art San Francisco ARTinvestment.RU – 18 April 2009
  6. ^ “Invention” Paul Klee at the Museum of Contemporary Art San Francisco ARTinvestment.RU – 18 April 2009
  7. ^ Beate Ofczarek, Stefan Frey: Chronologie einer Freundschaft. Michael Baumgartner, Cathrin Klingsöhr-Leroy, Katja Schneider, p. 207
  8. ^ Thomas Kain, Mona Meister, Franz-Joachim Verspohl, Jena 1999, p. 90
  9. ^ Jardi, p. *1911
  10. ^ Göttler: Der Blaue Reiter, p. 118
  11. ^ Partsch, p. 18
  12. ^ Jardi, plate 7, 9
  13. ^ a b Cite error: The named reference Kagan, p. 23 was invoked but never defined (see the help page).
  14. ^ a b c Partsch, p. 20
  15. ^ Partsch, pp. 24–5
  16. ^ Kagan, p. 33
  17. ^ Partsch, p. 27
  18. ^ Kagan, p. 27, 29.
  19. ^ Kagan, p. 35
  20. ^ Partsch, p. 31
  21. ^ Reproduced alongside Gerg Traki's poem in Zeit-Echo 1915.A reverse ekphrasis.
  22. ^ Beate Ofczarek, Stefan Frey: Chronologie einer Freundschaft, pp. 214 et seqq
  23. ^ Partsch, p. 35
  24. ^ Partsch, p. 36
  25. ^ Partsch, p. 40
  26. ^ Partsch, p. 44
  27. ^ Anger, Jenny. Paul Klee and the Decorative in Modern Art, Cambridge University Press 2004 pp120–122
  28. ^ Geelhaar, Christian (1972). Paul Klee und das Bauhaus. DuMont Schauberg, Köln, p. 9
  29. ^ Jardi, p. 17
  30. ^ Jardi, p. 18
  31. ^ Partsch, p. 48
  32. ^ Jardi, pp. 18–9
  33. ^ Jardi, p. 20
  34. ^ a b Partsch, p. 73
  35. ^ The private Klee: Works by Paul Klee from the Bürgi Collection Scottish National Gallery of Modern Art, Edinburgh, 12 August - 20 October 2000
  36. ^ Partsch, p. 55
  37. ^ a b Jardi, p. 23
  38. ^ Partsch, p. 64
  39. ^ Kagan, p. 42
  40. ^ Partsch, p. 74
  41. ^ Cite error: The named reference Jardi, p. 8 was invoked but never defined (see the help page).
  42. ^ Paul Klee 1933 at www.culturekiosque.com
  43. ^ Daniel Kupper: Paul Klee. p. 81
  44. ^ Christian Rümelin: Paul Klee. Leben und Werk, München 2004, pp. 12 et seq. online
  45. ^ Beate Ofczarek, Stefan Frey: Chronologie einer Freundschaft, p. 203
  46. ^ Giedion-Welcker, Klee, pp. 22–25
  47. ^ Temkin, Ann . "Klee, Paul." Grove Art Online. Oxford Art Online. Oxford University Press. Web.
  48. ^ "Paul Klee". Meisterwerke der Kunst, Isis Verlag. Archived from the original on 9 January 2009. Retrieved 25 September 2008.
  49. ^ "Kunst öffnet Augen". augen.de. Archived from the original on 9 January 2009. Retrieved 26 October 2008.
  50. ^ Partsch, p. 94
  51. ^ Siglind Bruhn: Das tönende Museum, Gorz Verlag 2004, pp. 34  et seqq
  52. ^ "Archived copy". Archived from the original on 29 April 2015. Retrieved 19 May 2015.{{cite web}}: CS1 maint: archived copy as title (link)
  53. ^ Andrew Kagan, Paul Klee at the Guggenheim Museum, New York: Guggenheim Museum Library, 2003, 41.
  54. ^ Partsch: Klee, p. 67
  55. ^ Berggruen, "Paul Klee—In Search of Natural Signs" in The Writing of Art (London: Pushkin Press, 2011), 63.
  56. ^ Partsch: Klee, p. 75
  57. ^ Partsch: Klee, p. 92
  58. ^ Partsch: Klee, p. 76–83
  59. ^ Partsch, p. 80
  60. ^ Partsch, p. 84
  61. ^ “Invention” Paul Klee at the Museum of Contemporary Art San Francisco ARTinvestment.RU – 18 April 2009