Wikipedia

Park Seong-hye

In this Korean name, the family name is Park.

Park Seong-hye, (Korean: 박성혜; born 1970) is a South Korean entertainment executive, planner, and producer. She began her career as an actor manager and subsequently became the CEO of Keyeast, a prominent entertainment company. She is sometimes referred to as the "godmother of the entertainment industry."[1][2]

Park Seong-hye
박성혜
Born1970 (age 53–54)
South Korea
Alma mater
Occupations
Years active1994–present
EmployerKeyeast
Korean name
Hangul
Revised RomanizationPark Seong-hye
McCune–ReischauerPark Seong-hye

In the early 1990s, Park began her career as the manager of actresses Yum Jung-ah, Kim Hye-soo, and Jeon Do-yeon.[3] Her talent for discovering and nurturing stars earned her the title of entertainment industry star manager. Park is credited with discovering and fostering the careers of notable actors such as Ji Jin-hee, Hwang Jung-min, Im Soo-jung, Gong Hyo-jin, Ha Jung-woo, and Gong Yoo.[4] She was a founding member of the entertainment agency Sidus HQ. During her tenure, Park led Sidus to become the most successful and largest entertainment company in the industry. However, she abruptly retired at the age of 38 due to health issues. Additionally, from 2005 to 2008, she held the position of Director at the Korea Entertainment Management Association.[5]

She founded the drama production company "Oh Boy Project" in 2012 and served as its CEO from 2012 to 2015. In 2016, she became the CEO of Monster Union, a production company jointly established by KBS and KBS affiliates. Subsequently, she served as CEO of KeyEast from 2018 to 2023.[6]

Early life and education

edit

Park Seong-hye was born in 1970 (age 53–54) in Seoul. Park Sung-hye was a pop culture enthusiast from a young age. She developed a fondness for pop music starting in the third grade of elementary school and dedicated her time to watching various dramas and award ceremonies on AFKN. As a child, she delighted in witnessing the emergence of new stars and immersed herself in reading numerous books related to the subject.[5][7]

"I was more interested in popular culture than studying," she said with a laugh. "Loving to read books has been a great help in managing actors. In high school, I was part of the broadcasting club, and in college, I was part of the film club. In middle school, I loved shows and attended many performances. Sometimes, there were dancers behind the singers, and there was one person who stood out as a great dancer. That person gradually became even better and started dancing right next to the singers. I thought, 'Wow, they finally succeeded. I had my eye on them...' There were people I admired like that, and that person was none other than Mi-ae of Chuli and Miae."[7]

After retaking the exam in 1990, Park was accepted into Myongji University's Department of English Literature. During her college years, she developed a keen interest in photography and actively participated in a film club. Additionally, she joined a model agency and model center, where she worked part-time while capturing images of models. Furthermore, prior to graduating from college, she held a position at the Sanulrim theater company. Park believes that her diverse experiences have greatly contributed to her pursuit of a career in management.[7][8]

In 2006, Park Seong-hye took the comprehensive exam for Hongik University's graduate school cultural content course. She was taking time out of her busy schedule to pursue a master's degree in cultural contents at a graduate school. In contrast to the United States, where management and agency functions are legally distinct, in Korean management, the two roles are often combined. The government was considering licensing agents as a potential solution, along with the possibility of separating this function. Changes were occurring at both the internal and external levels of management.[9]

In 2011, Park started pursuing a doctorate degree after completing a master's program in Advertising and Public Relations at Hongik University Graduate School.[10][11]

Career

edit

Early career as manager

edit

After graduating, Park Seong-hye started her career at Nonno fashion company as a marketer. The company went bankrupt six months later, leaving her jobless. She then opened a bar called "Alcohol Tank" in Hannam-dong. The bar did not succeed, and was on the brink of bankruptcy. She was later recruited by Star Search, a management company under Saehan Media (Samsung Group), through a recommendation from her former Nonno team leader. In 1994, Park was selected in the second round of open recruitment for Star Search, which represented actors such as Kim Hye-soo, Shin Eun-kyung, Lee Jae-ryong, Yoo Ho-jeong, Choi Min-sik, and Yum Jung-ah.[1][12]

I was able to meet "Ku-chong" Choi Min-sik, who casually asked if I had any coins in front of the coffee vending machine, and Shin Eun-kyung, a boyish resident at a general hospital who would go crazy like a child and focus on a game when she inadvertently glanced at the person sitting next to her while working. Even the innocent appearance of singer Lim Jae-beom, who ran between office partitions holding a toy rifle and making 'du-du-du' sounds."

— Park Seong-hye, Women's Newspaper Interview[13]

Star Search typically hired graduates from top universities for their management team, but Park was an exception. Park's path as a manager didn't start out easy. Her first impressions from the actresses she managed were often unfavorable. Park started as a female manager for Yum Jung-ah before becoming Kim Hye-soo's manager. Kim Hye-soo, a veteran actress who started her career at a young age, was known for frequently changing managers due to dissatisfaction.[14][15][13] Park's appearance, surprised Kim Hye-soo, who described it in an interview: "Wearing a studded leather jumper and a leather skirt, her hair was like Tina Turner's, and her makeup was like a chimera. Since this woman was my manager, I thought the company had lost its mind."[8][16]

Kim Hye-soo was already a star, and Park served as a 'rookie road manager' with a modest monthly salary of 500,000 won. Her responsibilities as a manager involved answering calls and accompanying Kim on film sets from early morning until the following dawn. However, Park couldn't drive, so Kim had to drive herself. Park only found out later that Kim initially didn't like her style or vibe at all, after she gave her a month-long silent treatment.[14] Their relationship improved when they bonded over an alternative band playing on the radio. The mutual understanding that developed while talking about music brought the two closer.[16]

An incident occurred when Park made a mistake with the plane tickets, causing a delay in the CF filming team's departure due to a delayed flight. Kim Hye-soo responded positively, expressing her desire for some rest despite the expected financial damages. Park learned valuable managerial skills from Kim Hye-soo, who provided her with opportunities and a supportive work environment where she could thrive.[14]

There is something heartbreaking about us. Because we started out together. At a time when we were lacking in each other, we relied on each other a lot and even fought, going through our youth together. It's still special to me.[17]

She also managed Jeon Do-yeon. Jeon Do-yeon's first impression of Park was as "a weird woman who looked cocky, a little bit bitchy, and seemed like a coddler, but kept insisting that she wasn't." Jeon Do-yeon was very particular about the time her manager would come to her house to deliver scripts, and she would argue about money down to the penny. However, the two soon became best friends after getting to know each other better.[14] Park Seong-hye noted that, "[Jeon] Do-yeon is not good at interpersonal relationships, so she does not enjoy gatherings with a lot of people. Instead, she builds deep relationships with the few people she likes."[18] While watching the selection of works, Park thought that Jeon Do-yeon tends to be attracted to characters that can be liked on a human level.[19]

Star Search closed down after a few years. Park continued to work as Kim Hye-soo's personal manager and took on the additional role of managing three new actors. She later joined IS 201, a company founded by shoemaker Esquire, which eventually went bankrupt.[20] Park then became Jeon Do-yeon's personal manager and eventually reunited with Kim Hye-soo.[14]

In 1999, as the manager for Kim Hye-soo and Jeon Do-yeon, Park coincidentally encountered Ji Jin-hee, a photographer. She persuaded him to change careers, and after a year of persuasion, he contacted her. When Ji Jin-hee's studio downsized due to a recession, he became an actor apprentice. Park supported him for a year and launched him as an actor. He later achieved success, particularly after MBC's Jewel in the Palace.[14]

SidusHQ

edit

In April 1999, producer Teddy Hoon-tak Jung [ko] established management agency EBM Production Co. In 2000, EBM merged with with Uno Film (currently known as Sidus Pictures), resulting in the formation of Sidus HQ Co., Ltd.[21][22] In the early 2000s, Sidus HQ managed the popular K-pop group g.o.d in collaboration with Park Jin-young of JYP Entertainment.[23] Sidus HQ also focused on managing several prominent actors who gained fame during that time period, such as Kim Ji-ho, Jung Woo-sung, and Park Shin-yang. As well as rookies such as Jang Hyuk,[24] Cha Tae-hyun and Jun Ji-hyun.[23]

In 2000, after resigning from Sambu Finance, Park joined Sidus HQ,[20][14] as the head of Team Management 3. Her team members included top stars Kim Hye-soo and Jeon Do-yeon, as well as promising newcomer Ji Jin-hee.[16] Subsequently, she began working with actors who were renowned for their acting skills. This included Hwang Jung-min, Lim Soo-jeong, Gong Hyo-jin, Yoon Jin-seo, Ha Jung-woo, Kim Seong-soo, Gong Yoo, and Yeom Jeong-ah.[25][23] Park is an accurate person when it comes to work. She is very quick to understand how the market is going as a whole, and She knows clearly what position each actor is in and how to move from that position. Above all, She has an accurate eye for the work.[26] Her natural habit of reading a lot of books helped her develop an eye for scenarios when She became a manager.[5]

In 2002, Sidus HQ was established as an independent entertainment company, separating the management division and record division from Sidus FnH (now known as Sidus Pictures), a film production company.[23] Park remained at Sidus HQ and was promoted multiple times, becoming the head of the management business division and later the head of the content business division.[16] During her tenure as the director of the content division, IHQ, the parent company, had a market capitalization exceeding 300 billion won.[27]

It is currently listed on the stock market as IHQ, a comprehensive entertainment company, and is working to diversify its business into film production, game development, and mobile business.[28]

In 2002, notable actors such as Sol Kyeong-gu, Kim Seung-woo, Son Chang-min, Shin Min-a, Zo In-sung, Choi Ji-woo, Lee Eun-joo, and Han Jae-suk joined the company. In 2004, Gong Hyo-jin, Kim Sun-a, Kim Soo-ro, Yeom Jeong-ah, Kim Seong-soo, and Gong Yoo also became part of the agency.[29][30] Other actors who joined the company include Gye Seong-yong, Kim Gwang-il, Kim Min-kyo, Kim Ji-hye, Kim Hyo-joo, Park Yoon-hee, Park Jeong-hak, Son Tae-young, Danny Ahn, Yang Jin-woo, Ye Ji-won, Oh Joo-eun, Yoo Mi, Yoo Seon, Yoon Kye-sang, Yoon Jin-seo, Lee Hoon, Lee Ki-woo, Lee Mi-yeon, Lee Beom-soo, Lee Sa-bi, Lee Jong-hyuk, Lee Chung-ah, Im Soo-jung, Lim Jeong-eun, Lim Hyun-kyung, Lim Hyeong-jun, Jeon Jae-hyung, Jeong Lee-min, Jo Sang-ki, Jo Young-gyu, Jo Hanna, Choi Yun-young, Hong Kyung-in, and Hwang Jung-min. With over 50 members, it is the largest management company in Korea.[31]

In 2003, Jeon Do-yeon made a comeback to television after a five-year hiatus with the SBS drama 'Shoot for the Stars'. This marked a shift in her approach, particularly towards engaging with a younger audience. "I used to worry that any TV appearances might negatively impact stock prices. However, audience preferences evolve rapidly, and if you're not visible, you can easily be forgotten," shared Park Seong-hye.[32]

In 2005, Sidus HQ boasted a lineup of top stars in their talent roster and actively sought to add more to their agency, such as Cho Seung-woo.[33] In April 8, they welcomed Song Hye-kyo. Sidus HQ have signed an exclusive contract with Song Hye-kyo for a period of 3 years, and her contract amount is 300 million won.[34][35] Sidus HQ, announced on May 20 that it signed exclusive three-year contracts with talent Han Go-eun and Jo Yoon-hee.[36][37][38] Sung Yu-ri joined in June.[39] Kim Jung-hwa became a part of the agency in July as her contract with the former agency Dream Factory ended in June. As a result, Sidus HQ has become the biggest beneficiary of free agent by accepting almost all the famous celebrities who appeared in the entertainment free agent market in 2005.[40] Additionally, in December, Kim Seo-hyung signed a three-year contract with Sidus HQ.[41] In 2005, Kim Sung-hoon, who made his debut with feature film debut in the 2003 film Madeleine, signed with talent agency SidusHQ and on their recommendation adopted the stage name "Ha Jung-woo."[42] In August, About 70 stars, including top stars such as Jeon Ji-hyun, Song Hye-kyo, Sung Yu-ri, Kim Hye-soo, Jeon Do-hyun, Jung Woo-sung, Jang Hyuk, and Jo In-seong, belong to SidusHQ.[43] Kim Sun-ah, Jeon Do-yeon, and Hwang Jung-min, who shined at the 2005 year-end awards ceremony, are all actors from SidusHQ, the largest entertainment company in Korea.[44]

"[Park] Seong-hye is a partner in public and a friend in private. Has it been that long? Anyway, I think work comes first with Seonghye. I think because we built trust at work, we were able to be open with each other on a personal level. The reason I trust her as a person and as a partner, and the reason I think she is different from other managers, is not because she is excellent in business terms. Seonghye is close to the human essence of her actor, to her essence as an actor. There can be many different types of relationships between managers and actors. However, Seong-hye is closer to the direction what actor wants, the essence and identity we wants to have as an actor, rather than external success or popularity, so we can be of one mind when working. She can truly understand actress Kim Hye-soo because she is who she is."

Kim Hye-soo, Cine21 Interview[45]

Voices of concern are also growing due to the rapid and aggressive expansion of the management industry in 2005. One of them is the voice of dissatisfaction coming from Chungmuro producers.[46] Sidus HQ has demonstrated powerful negotiating power with top stars. Since there were so many good actors, producers and broadcasters had no choice but to pay attention in many ways. Because of this, Sidus HQ has been criticized by producers for “using actors to infinitely increase the power of the management company.” On the other hand, Sidus HQ is positioned as a business model for latecomer management companies to follow.[47]

In 2005, Park Seong-hye participated in a public hearing on the Personal Information Protection Act, noting the incident was a case of false celebrity information leakage that highlighted societal insensitivity towards information and human rights.[48]

In 2006, one of Park's job was to read scripts. Her desk always piled high with scripts. "There are so many scripts that it's hard to read. These are the ones I'll read today. 80% of the management work is rejection."[49]

In 2006, IHQ's celebrity management company, Sidus HQ has emerged as the largest management company in Korea, managing over 90 stars and newcomers. This is because many stars who are shaping the topography of Korean entertainment culture are affiliated with the company and are engaged in various businesses. Considering the size of the popular culture market, SidusHQ has grown to a level comparable to that of CAA (Creative Artists Agency), the largest celebrity agency in the United States, and Yoshimoto Kogyo, the largest celebrity management agency in Japan.[50]

Sidus HQ director, Park Seong-hye, expressed her thoughts on her actors' appearances, stating, "When we talk about a 'good face,' it may typically imply someone who is conventionally pretty or handsome. However, an actor's face is somewhat different. Take Cho Seung-woo and Ji Jin-hee, for example. Their faces may not be conventionally handsome, but the more depth and character they possess, the more they captivate. Their expressive eyes convey a wealth of emotions. I believe an actor's face should have room to breathe and emanate its unique emotions. It could be the charisma of Choi Min-soo or the naturalness and confidence of Park Hae-il."[51]

From 2008 to 2009, she was listed as an advisory member of the Busan International Film Festival and a director of the Korea Entertainment Management Association.[52]

Sabbatical in the United States

edit

Park resigned from her position as manager at Sidus HQ in 2008 to pursue a sabbatical in the United States.[[53][54] During her tenure at Sidus HQ, she answered hundreds of calls per day, organized her schedule, and dealt with a lineup of dozens of actors, holding meetings with officials. She said the hardest part was 'rejecting' people. After leaving for the United States, she declared, "I will never be a manager again!"[5]

She cited several reasons for her departure. Dissatisfaction with the industry's focus on money - Park felt the management industry had become too focused on financial gain, leading to a lack of balance and ethical concerns.[55] A personal setback also played a role - a breakup with an actor she managed deeply affected her, causing her to question her career path. "Out of the 150 actors I worked with, he was the only one who left me and went to another company," she said. "My pride was greatly shocked, and I began to doubt my life as a manager."[56]

Additionally, Park wanted to explore new opportunities and learn about herself outside of the demanding world of talent management. During her time in New York, Park embraced new experiences, including learning to ride a bicycle, writing a blog, and pursuing bartending certification. She also discovered a passion for dancing. Her time abroad allowed her to gain a fresh perspective on life and explore her own interests beyond the pressures of her former career.[57]

Stars Don't Shine on Their Own - Please Take Care of a Star

edit

Park returned after spending about a year in Manhattan, New York.[58] In 2010, Park Seong-hye published a book titled 'Stars Don't Shine on Their Own: Please Take Care of the Star.' The book chronicles the joys, sorrows, challenges, and vivid experiences she encountered during her 15-year journey in the industry.[10] The book provides insights of her career in Sidus, from the early days of joining the company until her departure from Sidus. It summarizes her 15 years of managerial experience.[59]

Park stated, "During my time as a manager, I had the confidence that if I couldn't persuade the actor, I couldn't persuade anyone else. Managers often use the phrase 'between coldness and passion' when advising their juniors, but they tend to either be influenced by the actor or solely represent the actor's perspective. It's a delicate balance that must be struck. That's where the excitement lies, but being a manager also presents the greatest challenge," she explained.[60]

In the book, Park emphasizes the importance of the partnership between stars and managers. She highlights her long-term tenures as the manager for actors Kim Hye-soo and Jeon Do-yeon, 15 and 12 years respectively. Park advises that as business partners, both sides must enter the relationship with the understanding that development and dissolution are possible depending on the intended purpose. She stresses the need to establish a win-win structure that generates profits for both parties.[61][62]

Park discusses the rewards and challenges of being a manager. She expresses her joy when people recognized the new talents she managed, and the difficulties when her thoughts were misunderstood or distorted. Park states that in her field, 99% of the jobs involve rejection, and she confesses that it pained her to turn away from the sincere eyes of people she knew.[53][54][63]

Park responded to public praise for actress Kim Hye-soo's romantic relationship, stating she was unsure if the praise was warranted, as it reflects a prejudice that all actresses prioritize careers over relationships. Park explained this is not the case, as "There are more actresses who don't have that" preference.[64]

Oh! Boy Project

edit

Upon her return to Seoul a year later, Park was pleased to find that the situation had improved. She embarked on two new ventures. During the day, she studied advertising and public relations at the Hongik University campus. At night, she socialized at clubs near Hongik University. Her time in New York had fostered a love for band music, leading her to frequent smaller band performances. Back in Seoul, she sold her Gangnam property and opened a bar in Hongdae, featuring performances in the basement and a café on the first floor. She sought to connect with indie bands, such as Hanryang.[65]

Despite dedicating herself to her studies, earning a scholarship for the first time, Park soon realized that indie music wasn't her path. She felt her initial view of the culture was overly optimistic, and struggled to find a suitable business model within the Hongdae indie scene.[65]

Shifting her focus, she started weekly gatherings with friends in her basement, dubbed "B1," where they enjoyed drinks. Feeling that simply drinking wasn't engaging enough, she suggested brainstorming original ideas and sharing them anonymously on YouTube. This was well received. It was during one of these gatherings that Park proposed the "Oh Boy" concept, which ultimately evolved into the "Flower Boy Project." She was motivated by a sense of envy towards companies like SM Entertainment and a lingering regret from her time at Sidus HQ.  Furthermore, she was struck by the lack of aspiring actors, particularly young male actors, in an era where singers were globally recognized. There seemed to be a dearth of talent below the caliber of Song Joong-ki and Yoo Ah-in, with a particular lack of female representation.[65]

In April 2011, she established a production company called Oh! Boy Project and began pioneering a new world called the Handsome Boy Project.[66][67] Flower Boy Ramyun Shop in 2011 is the first installment of tvN's "Oh! Boy" series of Flower Boy programming targeted at the teenage demographic, and was followed by Flower Band in 2012, Flower Boys Next Door in 2013 and Dating Agency: Cyrano in 2014.[68][69] She produced the "Oh! Boy" series of Flower Boy through the Oh! Boy Project. Having created the image of a glamorous celebrity, she expanded her scope a little and started a drama project that contained her own thoughts. Park Seong-hye said, "Korea's Flower Boy series was loved and called the 'Ikemen (Pretty Boy) Series' in Japan and the 'Huameinan Series' in China. I wanted to try something new," she explained, "It was a moment where I focused on creating a lovable character in my own way, so I didn't just look at his appearance because he was a 'handsome guy'."[5]

I had a desire to train ‘acting idols’ under the brand Oh Boy. The reaction of the B1 family, which consists of advertisers, writers, and filmmakers, was ambiguous. Two months after coming up with the idea, I started my first company. Another winning move. Terrestrial broadcasters knocked on cable's door without paying attention. “It’s a pretty boy project, but we decided that if we wanted to capture something rough and vivid, we couldn’t do it properly on terrestrial television. CJ happened to be hosting Superstar so it seemed like they knew the importance of discovering human content. “I was confident that there was no way they would reject the Oh Boy project because it was a young broadcasting station.”[70]

Park developed a proposal for a project based on a romance novel she researched by buying and reading 20 novels. She signed a copyright contract for the novel "Flower Boy Ramyun Shop" and faced challenges during the project's development. The project initially struggled with an unsuccessful audition reality program but gained viewership after the early ending of another show. Another project called "Doc Van!" was delayed due to negative feedback. Park had the idea of rebellious children from Tower Palace for a band story. The initial script was rejected for being too niche, but Park persisted and rewrote it. The show recruited inexperienced staff for a fresh look. Park emphasized the importance of approaching the project with passion and fun for its success.[70]

In December 2013, around 50 prominent managers met at the Nonhyeon-dong cafe 'bar·2', the office and hangout of Oh! Boy Project Park Seong-hye. The gathering included members from Oh! Boy Project, Sidus HQ, Management Soop, and King Kong Entertainment, representing a significant portion of the Korean actor corps. Park, a respected female manager in Korea, reflected on the success of her former colleagues from Sidus HQ with pride.[52]

Kim Hye-soo made a cameo appearance in the first episode of the tvN drama Flower Boy Ramen Shop. The cameo was made possible due to Kim Hye-soo's special relationship with Park Seong-hye, the CEO of Oh Boy Project, the production company of the drama. The episode aired on Monday-Tuesday at 11 PM. Kim Hye-soo played a tarot fortuneteller who worked with Lee Cheong-ah's character, Yang Eun-bi, a student preparing for an entrance exam.[71]

Monster Union

edit

She seemed to be creating interesting content with a project related to 'Pretty Boys', and this time she came forward under the name of Park Seong-hye, the CEO of 'Monster Union', a subsidiary of KBS. Monster Union’, launched in August 2016, is a content company that produces entertainment and dramas. As a 'subsidiary of public broadcaster KBS', it has recruited a large number of star PDs from within KBS. While most of the personnel are from KBS, the recruitment of CEO Park Sung-hye, who has worked as a top star manager and produced numerous trendy dramas, was a very refreshing breeze.[5][3][6]

In 2016, Park joined KBS production company Monster Union as its CEO. Ahead of the company's August launch, Park revealed her aspirations in an interview featured in the 621st issue of the KBS newsletter. She explained that the name "Monster Union" represented a union of monster-like producers and emphasized the company's role as a bridge between inside and outside KBS. The office for Monster Union was being set up in the KBS Media building in Sangam-dong, and discussions for investment and co-production with an industry-recognized outsourced production company were underway. The company was actively preparing to release its first work under the name "Monster Union" early next year.[72]

The Monster Union recruited star directors from within KBS.[73] Former KBS drama director Moon Bo-hyun was appointed as the head of the drama department, while Seo Soo-min was chosen as the head of the entertainment department. The drama department included director Lee Jeong-seop from (Bread, Love and Dreams and Neighborhood Lawyer Jo Deul-ho), director Yoo Hyeon-ki from (Seoyoung, My Daughter and Brain), and Han Seok-won, the head of production for (Descendants of the Sun).[5] Yoo Ho-jin, who had previously served as the director of KBS's 2 Days & 1 Night Season 3, joined as an entertainment director.[74]

Three outsourced production company associations issued a statement condemning KBS's establishment of an outsourced production company, sparking controversy. Regarding this, Park said, "Some people misunderstood that KBS would monopolize the market by creating an outsourced production company. However, 'Monster Union' would coexist with outsourced production companies based on KBS's experience and know-how." She emphasized, "We would move in the direction of cooperation together." Park stated that the goal of 'Monster Union' was to "create representative global content and expand the cultural content intellectual property (IP) business." She expressed her expectations by saying, "Basically, KBS would be the main channel, but we planned to supply content to various platforms such as the web and apps. I believed we could sell good content to other broadcasters." [72]

2017. Queen for 7 Days.[75]

There is a drama that recently gave Park an opportunity to reflect on herself. This is her self-produced drama, KBS2's 'Suits'. Since careful monitoring is basic, I watch dramas with a sharp mind. Then, at one point, there was a scene where she compared herself to herself. It was in the scene where Jang Dong-gun, the representative lawyer of a law firm, meets Jeon No-min, who was his mentor during his time as a prosecutor. He said, “What I felt while watching the drama ‘Suits’ was, ‘Who was my mentor?’ When I thought about it, the answer came right away. She was Kim Hye-su. She was already a top actress when she started working with him. She was the same age. “I think he showed me management through his actions,” he said with a smile. She added: “She was lucky and happy to have a good person and first partner. Her life as a manager wasn't easy, but it was possible because of Kim Hye-soo. “He was my mentor,” she explained.[76][77]

Keyeast

edit

In November 2018, Park Seong-hye was appointed to lead Keyeast's content business. She shared her reflections at the Keyeast office in Gangnam-gu, mentioning, "Since taking office, we have diligently prepared and created an environment to showcase our works in the coming years." She added, "It feels like we have worked hard over the past year to achieve this."[6][78][79]

"CEO Park Seong-hye is cool. She is a person who made me rethink the standards of a good adult, not only in work but also personally. When I had to stop for a moment, She gave me confidence, and based on that confidence, I was eventually able to feel stable. I am very fortunate to have met a wonderful adult at an early age."

Moon Ga-young, Cine21 Interview[19]

In her fifth year as CEO of Keyeast, Park Seong-hye reorganized the company's actor roster and established it as a content studio focused on production capabilities. The company's roster includes rising young actresses like Moon Ga-young and Han Seon-hwa. Keyeast's track record of showcasing actors in impactful roles, such as in Hyena, The School Nurse Files , and Inspector Koo, reflects Park Seong-hye's management expertise. Kim Hye-soo, Ju Ji-hoon, and director Jang Tae-yu collaborated for the drama Hyena, marking Kim's return to drama after four years and Jang's comeback since "My Love from the Star." Park Seong-hye expressed confidence in the success of the project, highlighting the strength of this collaboration.[80]

Keyeast was planning to release a major new drama called Ask the Stars. It was also developing plans to adapt a novel into a film called From the Gaze and produce an original series called 1 in N is a Secret. Additionally, Keyeast was expanding by preparing a new original work called Ring My Bell.[81]

Keyeast announced on January 31, 2020, that it had transitioned from the existing co-CEO system of Park Sung-hye and Shin Pil-soon to having CEO Park Sung-hye as the sole CEO. This change followed the resignation of co-CEO Shin Pil-soon.[82]

In 2022, Keyeast appointed Park Seong-hye and Nam So-young as co-CEOs to strengthen its content production and artist management businesses. Park, the former CEO, continued to lead the company alongside Nam, who previously managed artists at SM Entertainment. In that same year, KeyEast, a comprehensive entertainment company sold the Chinese broadcasting rights license for the drama Inspector Koo, starring Lee Young-ae, to video platform Youku, a video sharing service platform under the Alibaba Group.[83]

In 2023, Park Seong-hye retired from Keyeast. The extraordinary general shareholders' meeting on November 30, 2023, resulted in a complete change of all board members. Former CEO Park Seong-hye has been replaced by Vice President Jo Ji-hoon as the new CEO. Additionally, CFO Jang has transitioned to an executive director role at Keyeast.[84]

Filmography

edit

Television series

edit
List of television series showing the year, title, network, and notes
Year Title Network Notes Ref.
English Korean
2011 Cool Guys, Hot Ramen 꽃미남 라면가게 tvN Oh!Boy Project
CJ E&M
2012 Flower Band 닥치고 꽃미남 밴드 [85]
2013 My Cute Guys 이웃집 꽃미남
2014 Dating Agency: Cyrano 연애조작단; 시라노
2016–2017 Hwarang: The Poet Warrior Youth 화랑 KBS2 Hwarang SPC
Oh!Boy Project 		[86]
2017 Queen for Seven Days 7일의 왕비 Monster Union
OH!BROTHERS Production 		[87]
Hit the Top 최고의 한방 Monster Union
Chorokbaem Media 		[88]
Meloholic 멜로홀릭 OCN Monster Union
 [89]
2018 Suits 슈츠 KBS2 Monster Union
EnterMedia Pictures
NBCUniversal Global Distribution 		[90]
Are You Human? 너도 인간이니? Monster Union
 [91]
Matrimonial Chaos 최고의 이혼 Monster Union
The I Entertainment 		[92]
2019 At Eighteen 열여덟의 순간 JTBC
[93]
Psychopath Diary 싸이코패스 다이어리 tvN KeyEast [94]
2020 Hyena 하이에나 SBS TV KeyEast [95]
My Dangerous Wife 나의 위험한 아내 MBN KeyEast
Hush 허쉬 JTBC KeyEast
JTBC Studios
2020–2021 Live On 라이브온 [96]
2021 Inspector Koo 구경이
2021–2022 The One and Only 한 사람만 [97]
2024 There is No Secret 비밀은 없어 [98]
TBA Ask the Stars 별들에게 물어봐를 시작으로 TBA
[99]

Web series

edit
Year Title Role Ref.
English Hangul
2020 The School Nurse Files 보건교사 안은영 Netflix [100]
2024 Unmask 트리거 Disney+ [101]
TBA Illumination 일루미네이션 TBA
One in N is a Secret N분의 1은 비밀로
Ring My Bell 링마벨
From the gaze 시선으로부터

Book

edit
book
Publisher Published Date Title Korean Author Number of pages, weight, size ISBN Ref.
Cine21 January 10, 2010 The star doesn't shine by itself
Take care of the star 		별은 스스로 빛나지 않는다
스타를 부탁해 		Park Page 396 | 593g | 153*224*30mm ISBN 9788993208634
ISBN 8993208638
September 23, 2011 learned woman: 17 warm life stories of wonderful women who loved ‘us’ as much as ‘me’ 배운 녀자: '나'만큼 '우리'를 사랑한 멋진 여자들의 따뜻한 인생 이야기 17)
  • Author: Ko Mi Sook (高美淑)
  • Author: Kim Yeo-jin
  • Go Mi-sook
  • Yeojin Kim
  • Ryu Eun-sook
  • Seonghye Park
  • Jo Ki-sook
  • Sohee Oh
  • Kim Bo-seul
  • Han Kyung-hee
 Page 279 | 396g | 148*210*20mm ISBN 9788984314993
ISBN 8984314994

Accolades

edit

Awards and nominations

edit
Name of publisher, year listed, name of listicle, and placement
Award Year Nominated work Result Ref.
1st The Women of Time Award[a] 2007 Park Seong-hye Won [102]

Listicle

edit
Name of publisher, year listed, name of listicle, and placement
Publisher Year List Placement Ref.
Cine21 2007 Chungmuro Power Filmmaker 67th [103][104]

State honors

edit
Name of country, year given, and name of honor
Country Ceremony Year Honor Or Award Ref.
South Korea Korean Popular Culture and Arts Awards[b] 2012 Presidential Commendation [108]

Notes

edit
  1. ^ 1st The Women of Time Award award for women’s clothing ‘Time’. The winners of this award are three people, including Park Seong-hye, general manager of Sidus HQ Management. Director Park is one of the role models that current female college students want to follow, and is a female representative specialist who enjoys widespread popularity. Additionally, Jo Joo-hee, ABC News' global bureau chief, and actress Jang Jin-young were selected as female leaders.
  2. ^ Honors are given at the Korean Popular Culture and Arts Awards, arranged by the Korea Creative Content Agency and hosted by the Ministry of Culture, Sports and Tourism.[105][106] They are awarded to those who have contributed to the arts and South Korea's pop culture.[107]

References

edit
  1. ^ a b "술 별로던 김혜수 얼마 전 소주맛 알겠다더라" [Kim Hye-soo, who didn't like alcohol, said she tasted soju a while ago.]. Hankyoreh (in Korean). 18 January 2010. Retrieved 25 February 2024.
  2. ^ "90년대 초 김혜수 매니저로 시작해 소속사 대표이사까지". 29STREET (in Korean). 2 February 2020. Retrieved 6 March 2024.
  3. ^ a b "매니저의 세계…연예인의 그림자 ★을 위해 달린다" [The world of managers...run for the shadow of the entertainment ★]. entertain.naver.com (in Korean). Retrieved 25 February 2024.
  4. ^
  5. ^ a b c d e f g Nam, Hye-yeon (21 May 2018). "[데스크가만난사람①]'몬스터유니온' 박성혜 대표 "의미 있는 족적을 남기고 싶다"" [[The person who met the desk①]Monster Union' CEO Park Sung-hye "I want to leave a meaningful mark"]. entertain.naver.com (in Korean). Retrieved 25 February 2024.
  6. ^ a b c Kim, Hyun-jin. "박성혜 키이스트 대표 "매니지먼트 넘어 종합엔터사로···'키이스트 색깔' 보여줄 것"[CEO&STORY]" [Park Sung-hye, CEO of Key East, "Beyond the management, as a general entertainment company···I will show you 'Key East Colour'" [CEO&STORY]]. entertain.naver.com (in Korean). Retrieved 25 February 2024.
  7. ^ a b c
  8. ^ a b Park, Hyun-jung (8 January 2010). "'이상한' 매니저, 연예계에 우뚝 서다" ['Strend' manager stands tall in the entertainment industry]. Hankyoreh (in Korean). Retrieved 26 February 2024.
  9. ^ "[이성욱의 현장기행] 매니저 박성혜가 사는 법 [2]" [[Lee Sung-wook's on-site travel] How manager Park Sung-hye lives [2]]. 씨네21 (in Korean). 18 October 2006. Retrieved 26 February 2024.
  10. ^ a b "[박성혜] 그동안 스타를 도왔다면 이젠 철저하게 나를 돕겠다" [[Park Sung-hye] If you've helped the star so far, you'll help me thoroughly now.]. Cine21 (in Korean). 15 January 2010. Retrieved 25 February 2024.
  11. ^ "배운 녀자 (5) 박성혜 전 싸이더스 콘텐츠 본부장" [The Girl I Learned (5) Park Sung-hye, former director of content at Cedars]. 네이버 블로그 | 밥과 평화 (in Korean). Retrieved 25 February 2024.
  12. ^ ""연예인 누가 누구랑 잤냐" 지질한 질문은 이제 그만!" [“Who did the celebrie sleep with?” Stop the question!]. Hankyoreh (in Korean). 23 June 2005. Retrieved 26 February 2024.
  13. ^ a b Kim, Nam-hee (15 January 2010). "마초 연예판 '계집애'생존기" [Macho Entertainment Edition 'Sissy' Survival Guide]. Women's newspaper (in Korean). Retrieved 26 February 2024.
  14. ^ a b c d e f g "[피플]매니지먼트계 빅마마 '싸이더스HQ' 박성혜 본부장" [[Pople] Park Sung-hye, General Manager of 'Sidus HQ', a big mama in the management industry]. Dong-A Ilbo (in Korean). 17 March 2005. Retrieved 25 February 2024.
  15. ^ "[이성욱의 현장기행] 매니저 박성혜가 사는 법 [2]" [[Lee Sung-wook's on-site travel] How manager Park Sung-hye lives [2]]. Cine21 (in Korean). 18 October 2006. Retrieved 25 February 2024.
  16. ^ a b c d "[INTERVIEW] "깐깐하고 센 거절女 이젠 호기심女로 변했죠"" [[INTERVIEW] "A strict and strong refusal woman has now turned into a curious woman"]. n.news.naver.com (in Korean). Retrieved 26 February 2024.
  17. ^ "[인터뷰] 김혜수 "저도 무너질 수 있어요. 그렇더라도 상처받지 마세요"" [[Interview] Kim Hye-soo "I can also collapse. Even so, don't get hurt."]. 비즈엔터. 3 July 2016. Retrieved 26 February 2024.
  18. ^ "[문화]배우는 전도연의 운명". entertain.naver.com (in Korean). Retrieved 28 February 2024.
  19. ^ a b "당신, 아직도 모르겠어요, 배우 전도연". Cine21 (in Korean). 18 May 2007. Retrieved 28 February 2024.
  20. ^ a b "술 별로던 김혜수 얼마 전 소주맛 알겠다더라" [Kim Hye-soo, who didn't like alcohol, said she tasted soju a while ago]. Hankyoreh (in Korean). 18 January 2010. Retrieved 25 February 2024.
  21. ^ "싸이더스 HQ 대표 정훈탁 [2]" [Jung Hoon-tak, CEO of Sidus HQ [2]]. Cine 21 (in Korean). 5 July 2002.
  22. ^ "[그룹 지배구조 대해부]지주사→IHQ계열사 1단계 구조… 정훈탁 의장 지분 6.07%" [[Group Governance Department] Shareholding company→IHQ affiliates Phase 1 structure... Chairman Jung Hoon-tak's stake 6.07%]. 이투데이 (in Korean). 17 March 2015. Retrieved 26 February 2024.
  23. ^ a b c d "[CEO초대석]싸이더스HQ 김지훈 대표이사" [[CEO Invitation Seat] Sidus HQ CEO Kim Ji-hoon]. n.news.naver.com (in Korean). Retrieved 26 February 2024.
  24. ^ "[스탠 바이 미] 정훈탁 대표, 스무살 청년 장혁에게 느낀 순수…18년 아름다운 동행의 시작" [[Stan by Me] CEO Jeong Hoon-tak, the innocence felt by the 20-year-old young man Jang Hyuk... The beginning of 18 years of beautiful companionship]. 스포츠동아 (in Korean). 16 April 2014. Retrieved 26 February 2024.
  25. ^ "양보다 질! 가족처럼 운영하고 싶다" [Quality over quantity! I want to run it like a family.]. 씨네21 (in Korean). 10 May 2012. Retrieved 26 February 2024.
  26. ^ "김혜수·전도연·황정민·지진희...공통 키워드는". 오마이스타 (in Korean). 21 September 2011. Retrieved 26 February 2024.
  27. ^ "[이성욱의 현장기행] 매니저 박성혜가 사는 법 [1]" [[Lee Seong-wook's on-site travel] How manager Park Sung-hye lives [1]]. 씨네21 (in Korean). 18 October 2006. Retrieved 25 February 2024.
  28. ^ Jung, Si-woo (18 December 2013). "2013 엔터테인먼트 빅 15 ⑧ 싸이더스HQ는?" [2013 Entertainment Big 15 ⑧ Sidus HQ?]. 10Asia (Korea Economic Daily) (in Korean).
  29. ^ "한국 최초 남성 5인조 '연기자 그룹' 탄생" [Korea's first male five-member 'acter group' is born]. n.news.naver.com (in Korean). Retrieved 25 February 2024.
  30. ^ 조선일보 (12 August 2020). "'다섯개의 별' 연기위해 뭉쳤다" ['Five stars' got together for acting.]. 조선일보 (in Korean). Retrieved 26 February 2024.
  31. ^ "싸이더스 소속 연예인 계속 잘 나갈까?" [Will the Celebrities belonging to Sidus continue to do well?']. entertain.naver.com (in Korean). Retrieved 26 February 2024.
  32. ^ "[연예]충무로에서 여의도로…스크린 스타 TV드라마 출연". entertain.naver.com (in Korean). Retrieved 28 February 2024.
  33. ^ "2005 매니지먼트 빅뱅 [4] - 소속사별 주요 연기자 리스트" [2005 Management Big Bang [4] - List of key performers by agency]. 씨네21 (in Korean). 12 April 2005. Retrieved 25 February 2024.
  34. ^ "송혜교, 싸이더스HQ 입성" [Song Hye-kyo entered Sidus HQ]. entertain.naver.com (in Korean). Retrieved 25 February 2024.
  35. ^ "송혜교, 싸이더스HQ와 전속계약". entertain.naver.com (in Korean). Retrieved 26 February 2024.
  36. ^ "조윤희, 싸이더스 HQ와 3년 전속계약" [Cho Yoon-hee signed a three-year exclusive contract with Cydus HQ]. entertain.naver.com (in Korean). Retrieved 26 February 2024.
  37. ^ 입력: 2005.05.20 22:12 (20 May 2005). "한고은 싸이더스와 새출발". sports.khan.co.kr (in Korean). Retrieved 27 February 2024.{{cite web}}: CS1 maint: numeric names: authors list (link)
  38. ^ 배영은 (20 May 2005). "한고은-조윤희, 싸이더스HQ에서 한솥밥". 아이뉴스24 (in Korean). Retrieved 27 February 2024.
  39. ^ "성유리, 싸이더스HQ-DSP 가교 역할할 듯" [Sung Yu-ri seems to serve as a bridge to Sidus HQ-DSP]. 스타뉴스 (in Korean). 7 June 2005. Retrieved 26 February 2024.
  40. ^ "김정화, 전지현ㆍ송혜교와 한솥밥" [Kim Jung-hwa, Jeon Ji-hyun, Song Hye-kyo asunder one roof]. 스타뉴스 (in Korean). 1 July 2005. Retrieved 26 February 2024.
  41. ^ "김서형 싸이더스HQ와 3년 전속계약" [3-year exclusive contract with Kim Seo-hyung Cydus HQ]. entertain.naver.com (in Korean). Retrieved 26 February 2024.
  42. ^ Hong, Lucia (2 September 2011). "Ha Jung-woo renews contract with fantagio". 10Asia.
  43. ^ ""욕하는 분들, 나를 정말 아는가?"". 시사저널 (in Korean). 19 August 2005. Retrieved 27 February 2024.
  44. ^ "2005년 빛낸 김선아-전도연-황정민, 싸이더스의 힘!". entertain.naver.com (in Korean). Retrieved 28 February 2024.
  45. ^ "22년차 여배우의 속사정, 의 김혜수" [Kim Hye-soo of the 22nd year actress's inner situation]. 씨네21 (in Korean). 9 February 2007. Retrieved 25 February 2024.
  46. ^ "2005 매니지먼트 빅뱅 [3]". 씨네21 (in Korean). 12 April 2005. Retrieved 25 February 2024.
  47. ^ "2005 매니지먼트 빅뱅 [1]" [2005 Management Big Bang [1]]. 씨네21 (in Korean). 12 April 2005. Retrieved 26 February 2024.
  48. ^ "연예인단체, "개인정보보호기본법' 조기 제정" 촉구" [Celebrity organisations urge the early enactment of the "Basic Act on the Protection of Personal Information"]. entertain.naver.com (in Korean). Retrieved 25 February 2024.
  49. ^ "상영관 더 달라…홍보 더 튀게…'충무로 아우성' 현장속으로" [The theatre is more different... The publicity is more splashy... Into the scene of 'Chungmuro clamor']. Dong-A Ilbo (in Korean). 5 August 2006. Retrieved 26 February 2024.
  50. ^ "스타의 제국, 싸이더스HQ, 美CAA, 日요시모토흥업 되나?". 언론사 뷰. Retrieved 27 February 2024.
  51. ^ "배우가 되는 길 [2]" [The way to become an actor [2]]. 씨네21 (in Korean). 16 March 2006. Retrieved 25 February 2024.
  52. ^ a b Kang, Kyung-rok (15 January 2014). "[성공異야기] 박성혜 "연기돌 만들어 '꽃미남' 시리즈 활짝"" [[Success story] Park Sung-hye "Make a acting milestone and make a 'Handsome boy' series is wide"]. 이데일리 (in Korean). Retrieved 26 February 2024.
  53. ^ a b "박성혜 "전도연은 불, 김혜수는 물"" [Park Sung-hye "Jeon Do-yeon is fire, Kim Hye-soo is water"]. entertain.naver.com (in Korean). Retrieved 25 February 2024.
  54. ^ a b "김혜수 15년 매니저 박성혜, 그가 바라본 스타의 세계는?" [Kim Hye-soo's 15-year manager, Park Sung-hye, what is the world of stars he looked at?]. entertain.naver.com (in Korean). Retrieved 25 February 2024.
  55. ^ Yoon, Go-eun (8 January 2010). "김혜수.전도연.지진희가 사랑한 매니저" [The manager loved by Kim Hye-soo, Jeon Do-yeon, and Ji Jin-hee]. n.news.naver.com (in Korean). Retrieved 25 February 2024.
  56. ^ "'스타 메이커'에서 '뮤지션 메이커'로… 박성혜의 '스타와 나'" [From 'Star Maker' to 'Musician Maker'... Park Sung-hye's 'Star and Me']. 조선일보 (in Korean). 3 August 2020. Retrieved 26 February 2024.
  57. ^ tenasia.hankyung.com, Digital (26 January 2010). "박성혜│나와 함께 했던 배우들이 더욱 빛난 드라마 | 텐아시아". 텐아시아 연예뉴스 (in Korean). Retrieved 7 March 2024.
  58. ^ Baek, Eun-ha (4 March 2012). "지진희·황정민의 그녀, 이젠 '꽃미남'에 꽂혔다" [Ji Jin-hee and Hwang Jung-min's girlfriend is now infatuated with a 'flower boy'.]. 경향신문 (in Korean). Retrieved 25 February 2024.
  59. ^ "김혜수 전 매니저 '스타를 부탁해' 출간" [Former manager Kim Hye-soo published 'Take Care of the Star']. Kookmin Ilbo (in Korean). 8 January 2010. Retrieved 25 February 2024.
  60. ^ Kim, Hyun-jin. "박성혜 키이스트 대표 "콘텐츠 제작은 디테일에 승부 갈려···피곤하리만치 집착해야"[CEO&STORY]" [Park Sung-hye, CEO of Key East, "Content production is a match for details···You have to be tired and obsessed" [CEO&STORY]]. entertain.naver.com (in Korean). Retrieved 25 February 2024.
  61. ^ "박성혜 "내 자리는 무대 위 아닌 무대 뒤"" [Park Sung-hye "My seat is not on the stage, but behind the stage"]. Korean economy (in Korean). 8 January 2010. Retrieved 25 February 2024.
  62. ^ "잔치는 끝났다! 엔터테인먼트 시장이여!" [The feast is over! Entertainment market!]. PD저널 (in Korean). 1 April 2010. Retrieved 26 February 2024.
  63. ^ "[KIN] 〈국경을 넘으니 시가 사진이 되었다〉외" [[KIN] 〈It became a picture of a cigar after crossing the border〉and others]. 한겨레21. Retrieved 25 February 2024.
  64. ^ "'1등끼리 만나는 더러운 세상'이라면서". PD저널 (in Korean). 7 January 2010. Retrieved 25 February 2024.
  65. ^ a b c "연기자에서 연기 아이돌 키우는 미다스 손으로" [With the hands of Midas, who grows acting idols from actors.]. 연기자에서 연기 아이돌 키우는 미다스 손으로 (in Korean). 21 March 2012. Retrieved 25 February 2024.
  66. ^ 윤고은. ""'잘난 젊음'을 멋지게 그리고 싶어요"". entertain.naver.com (in Korean). Retrieved 25 February 2024.
  67. ^ 윤고은. ""'잘난 젊음'을 멋지게 그리고 싶어요"". entertain.naver.com (in Korean). Retrieved 25 February 2024.
  68. ^ Lee, In-kyung (30 January 2012). "Dream High 2 vs Flower Boy Band". enewsWorld. CJ E&M. Archived from the original on 2 July 2013. Retrieved 30 May 2013.
  69. ^ Lee, In-kyung (1 February 2012). "Flower Boy Band, the Future of Drama Marketing". enewsWorld. CJ E&M. Archived from the original on 2 July 2013. Retrieved 30 May 2013.
  70. ^ a b tenasia.hankyung.com, Digital (20 March 2012). "박성혜 대표 "꽃미남은 감성을 자극하는 존재" | 텐아시아" [CEO Park Sung-hye "A handsome man is a person who stimulates emotions" | Ten Asia]. 텐아시아 연예뉴스 (in Korean). Retrieved 25 February 2024.
  71. ^ 김광수기자 (1 November 2011). "김혜수 '꽃미남라면가게' 카메오 출연 화제". 경북일보 (in Korean). Retrieved 7 March 2024.
  72. ^ a b 김양수. "'몬스터유니온' 박성혜 대표 "KBS 시장독식 오해, 상생할 것"". entertain.naver.com (in Korean). Retrieved 25 February 2024.
  73. ^ 남혜연. "[데스크가만난사람①]'몬스터유니온' 박성혜 대표 "의미 있는 족적을 남기고 싶다"". entertain.naver.com (in Korean). Retrieved 25 February 2024.
  74. ^ 스타뉴스 (21 November 2016). "유호진PD, 몬스터 유니언 12월1일 이적.."새 프로 기획"(공식입장)". 스타뉴스 (in Korean). Retrieved 25 February 2024.
  75. ^ "'7일의 왕비' 제작진 "시청률은 저조하지만 배우들간 호흡은 최고"". entertain.naver.com (in Korean). Retrieved 25 February 2024.
  76. ^ "[데스크가만난사람②]박성혜 대표 "김혜수와 전도연, 인생을 함께 한 파트너이자 연인"". 언론사 뷰. Retrieved 26 February 2024.
  77. ^ 남혜연 (21 May 2018). "[데스크가만난사람②]박성혜 대표 "김혜수와 전도연, 인생을 함께 한 파트너이자 연인"". 스포츠서울 (in Korean). Retrieved 26 February 2024.
  78. ^ 이정현 (15 October 2018). "키이스트, 박성혜 전 몬스터유니온 대표 영입". 연합뉴스 (in Korean). Retrieved 27 February 2024.
  79. ^ 이경호|기자|. "박성혜 대표 "키이스트 자체가 콘텐츠입니다"(인터뷰①)[스타메이커]". entertain.naver.com (in Korean). Retrieved 25 February 2024.
  80. ^ 박판석. "키이스트 박성혜 대표 "'하이에나', 김혜수·주지훈·장태유 극강 엔터테인드라마"[인터뷰①]". entertain.naver.com (in Korean). Retrieved 25 February 2024.
  81. ^ 최성열, 글: 김소미사진. "[인터뷰] 박성혜 키이스트 대표, "우주에 이어 '광야'까지, 계속해서 더 멀리"". entertain.naver.com (in Korean). Retrieved 25 February 2024.
  82. ^ "키이스트, 박성혜 대표이사 체제로 변경". 뉴스핌 (in Korean). Retrieved 27 February 2024.
  83. ^ "키이스트, 드라마 '구경이' 中 최대 동영상 플랫폼 유쿠에 방영권 라이센스 판매". 더밸류뉴스 (in Korean). Retrieved 25 February 2024.
  84. ^ "[이사회 분석]키이스트, 이사회 교체…매각 앞서 경영효율화 나설까". 더벨뉴스 (in Korean). Retrieved 25 February 2024.
  85. ^ "Lee Min Ki to Cameo in 'Flower Boy Band'". enewsWorld. 9 January 2012. Archived from the original on 2 August 2017.
  86. ^ Nam, Hye-yeon (21 May 2018). "[데스크가만난사람③]박성혜 대표 "박형식과 '방탄소년단' 뷔는 에너지가 좋은 배우"" [[The person who met the desk③]CEO Park Sung-hye "Park Hyung-sik and 'BTS' V have good energy]. 언론사 뷰. Retrieved 25 February 2024.
  87. ^ Kim, Yang-soo (13 March 2017). "[단독]'조들호' 이정섭PD, 로맨스사극 '7일의 왕비'로 컴백" [[Exclusive] 'Jo Deul-ho' PD Lee Jung-seop, comeback with the romantic historical drama 'Queen for 7 Days'] (in Korean). Joy News 24. Archived from the original on 27 July 2021. Retrieved 27 July 2021 – via Naver.
  88. ^ Jeong, So-young (6 April 2017). "'최고의한방' 차태현X유호진 뭉친 대본리딩 현장 .. "즐거운 작업"" ['The Best Oriental Medicine' Cha Tae-hyeon X Yoo Ho-jin at the script reading site .. "Enjoyable work"] (in Korean). Osen. Archived from the original on 27 July 2021. Retrieved 27 July 2021 – via Naver.
  89. ^ Yoon, Hyo-jeong (28 September 2017). "[공식]유노윤호x경수진 '멜로홀릭', 11월 6일 OCN 첫방송" [[Official] U-Know Yunho x Kyung Sujin 'Meloholic', first broadcast on OCN on November 6th] (in Korean). News1. Archived from the original on 27 July 2021. Retrieved 27 July 2021 – via Naver.
  90. ^ Jeong, Yu-na (22 September 2017). "[공식] 드라마 '슈츠', 장동건·박형식 캐스팅 확정 ... 男男케미 기대" [[Official] Casting confirmed for the drama 'Suits', Jang Dong-gun and Park Hyung-sik ... Man Man Chemistry Expectation] (in Korean). Sports Chosun. Archived from the original on 16 April 2018. Retrieved 27 July 2021 – via Naver.
  91. ^ Kim, Mi-hwa (20 October 2017). "'너도 인간이니', 프랑스 칸에서 첫공개 ... 해외 관심↑" ['Are You Human Too', first released in Cannes, France ... Overseas interest↑] (in Korean). MT Star News. Archived from the original on 27 July 2021. Retrieved 27 July 2021 – via Naver.
  92. ^ Ha, Su-jeong (25 May 2018). "[공식입장] '천만배우' 차태현, 드라마 복귀하나 .. "'최고의이혼' 긍정 검토"" [[Official Position] 'Ten Million Actors' Cha Tae-hyun to return to drama ... "Positive review of 'The Best Divorce'"] (in Korean). Osen. Archived from the original on 27 July 2021. Retrieved 27 July 2021 – via Naver.
  93. ^ a b "'열여덟의 순간' 옹성우 연기 첫데뷔..김향기와 호흡(공식입장)". Naver (in Korean). Newsen. Retrieved 22 April 2019.
  94. ^ "'싸이코패스 다이어리' 이한위 허성태→이민지까지, 퍼펙트 라인업(공식)". Naver (in Korean). Newsen. Archived from the original on 23 August 2021. Retrieved 7 September 2019.
  95. ^ Cha, Ji-yoon (14 May 2020). "키이스트, 1분기 영업이익 24억···'하이에나' 효과" [Keyeast, first quarter operating profit of 2.4 billion...'Hyena' effect]. newsis (in Korean). Retrieved 16 February 2024 – via Naver.
  96. ^ "정다빈·황민현, '라이브온' 주연 캐스팅 [공식]". 동아 (in Korean). 26 June 2020. Archived from the original on 26 June 2020. Retrieved 26 June 2020.
  97. ^ Kim, Na-young (20 May 2021). 이영애 복귀작 '구경이'·레드벨벳 조이 '한 사람만', JTBC 편성 확정 (공식) [Lee Young-ae's comeback film 'Spectacular' and Red Velvet Joy's 'Only One Person' confirmed for JTBC (Official)] (in Korean). MK Sports. Archived from the original on 20 May 2021. Retrieved 20 May 2021 – via Naver.
  98. ^ "키이스트, 신작 '비밀은 없어' JTBC 편성 확정...고경표·강한나 캐스팅". 더밸류뉴스 (in Korean). Retrieved 25 February 2024.
  99. ^ Choi Yoon-na (28 March 2022). 이민호X공효진, '별들에게 물어봐' 출연 확정[공식] [Lee Min-ho X Gong Hyo-jin confirmed to appear in 'Ask the Stars' [Official]] (in Korean). Sports DongA. Retrieved 25 July 2022 – via Naver.
  100. ^ "'School Nurse' heading to Netflix". Korea JoongAng Daily. 21 December 2018. Archived from the original on 19 March 2023. Retrieved 23 December 2018.
  101. ^ 스포츠월드 (18 January 2023). "★작가·감독 총출동…키이스트, 2023 신작 라인업 공개". ★작가·감독 총출동…키이스트, 2023 신작 라인업 공개 스포츠월드 (in Korean). Retrieved 25 February 2024.
  102. ^ "정재봉 사장이 뽑은 여성 뉴 리더는?" [What is the female new leader chosen by President Jung Jae-bong?]. www.fashionbiz.co.kr. 12 December 2007. Retrieved 25 February 2024.
  103. ^ "[2007 한국 영화산업 파워50] 영화노사가 파워 실세로!위" [[2007 Korean Film Industry Power 50] Filmmaker are the power!]. Cine21 (in Korean). 3 May 2007. Retrieved 6 January 2024.
  104. ^ "[2007 한국 영화산업 파워50] 31위~50" [[2007 Korean Film Industry Power 50] 31st to 50th place]. Cine21 (in Korean). 3 May 2007. Retrieved 6 January 2024.
  105. ^ Hicap, Jonathan (18 October 2018). "BTS, Red Velvet win at Korean Popular Culture and Arts Awards". Manila Bulletin. Archived from the original on 18 October 2018. Retrieved 18 June 2021.
  106. ^ Yeo, Yer-im (25 October 2018). "BTS gets award upon their return home". Yonhap News Agency. Archived from the original on 7 November 2018. Retrieved 18 June 2021 – via Korea JoongAng Daily.
  107. ^ Lee, Sang-won (25 October 2016). "Korean Popular Culture and Arts Awards announces winners". The Korea Herald. Archived from the original on 29 September 2018. Retrieved 18 June 2021.
  108. ^ 서병기 (29 October 2021). "'2021대중문화예술상', 차분하면서도 의미를 담았다". 헤럴드경제 (in Korean). Retrieved 24 January 2023.


Retrieved from "https://en.luquay.com/w/index.php?title=Park_Seong-hye&oldid=1231960215"